Month: November 2015

The BBC's Future: Charter renewal and beyond- Where Now For The BBC's Duty To Educate?

In his speech at the Science Museum in September 2015, BBC director-general Tony Hall acknowledged that the charter review presents the corporation with not only significant challenges, but also with opportunities to reflect and adapt to the digital world. In my view, nowhere are these opportunities greater than in education.

Over 70 years ago, Lord Reith famously made education one of the three pillars of the BBC: to inform, to entertain and to educate.

The BBC took Reith’s mantra very seriously, and over the decades it has, for the most part, been an innovator in education. In 1942, the Corporation transmitted its very first radio broadcast to schoolchildren around the UK, and in the 50 years that followed the BBC successfully led the way in ‘bringing education to the people’ via BBC Broadcasting for Schools and Colleges on radio and television. In 1965 the BBC collaborated with the Open University, introducing ‘distance learning’ and transforming the very nature of higher education by allowing students access to inexpensive higher education at home. In 1980, David Allen and Robert Albury were sent from the BBC to ‘go and see if there is anything in this microelectronics business’ (Blyth 2012). The advent of the digital age provided the BBC with the opportunity to deliver education in radically new ways. Nonetheless, education can sometimes feel like the unloved child of the Reithian trinity.

Take the example of BBC Jam. In early 2007 the BBC Trust took the grievous decision to scrap the online education service.

Four years earlier the government had boldly announced the development of the world’s first truly ‘digital’ curriculum – with the BBC committed to investing £150 million to deliver newly created material into just half of the subject areas.

It was designed to be a ‘partnership’ with industry, to the benefit of the learning opportunities of every child in the land – and eventually possibly even every child in every land. But despite its pioneering approach to developing a digital curriculum and hundreds of thousands visiting and registering on the platform, BBC Jam lasted little more than a year.

In times past the BBC found it difficult to be ‘partner’ with anyone and, as a result, probably overplayed its hand. Equally the commercial sector could justifiably be accused of deliberately delaying and frustrating the entire initiative.

Was every child in the country disadvantaged by the short-term and myopic manner in which, between them, the BBC and the commercial sector managed to wreck the entire scheme?

The answer to that is – unquestionably!

Eight years later our education landscape has broadened massively, and the BBC is no longer its sole audiovisual operator. Hundreds of companies including FutureLearn, the Pearson Group, TES, Goldsmiths, EF and the Consortium Education offer educational content for schoolchildren, university students, graduates and teachers. And there is a blossoming ecosystem of startups developing resources, often designed by entrepreneurial teachers themselves, such as Diagnostic Questions, Class Charts and Show My Homework.

Not only are there infinitely more providers than ever before, but also a far greater range of media through which to channel education. Independent learning is no longer limited to television and radio – today we are living in a hyper-connected world where people can study on their computers, laptops, iPads, tablets and mobiles, whenever and wherever they choose. The internet has paved the way for companies to collaborate with universities around the world to create massive open online courses, or MOOCs. This has encouraged the number of UK-based distance learners to jump by 50 per cent over the last decade to over 260,000. The UK has also become a powerful hub for learning: FutureLearn has 2.5 million registered users, and TES.com, with over 7 million registered teachers from all over the world, is the first port of call for those seeking inspiration from its inventory of a million mainly teacher-generated resources, which are being downloaded almost 1.5 million times every day.

These transformations in education have certainly not rendered the BBC obsolete: 97 per cent of the population continues to use the BBC every week, with 46 million users relying upon it every day. According to the Future of the BBC report published earlier this year, 77 per cent of interviewees considered that ‘providing education’ should be a priority for the BBC (CMSC 2015).

The future of education is obviously online.

However, it is critical that we view the digital progression as something wholly transformative, not simply as a useful ‘add on’, but something that can change the nature of both media content and the way in which learners go about their daily lives. By increasing its investment in creativity and narrative learning, the BBC has a massive opportunity to advance the standards of online education on a global scale.

The future of education will inevitably involve a more flexible approach to learning as more and more people are able to access educational content on their mobile devices wherever and whenever they choose. In the Future of the BBC report, 56 per cent of participants viewed ‘enabling people to adapt to new technologies’ as a priority for the BBC (ibid). The BBC must play a key role in both creating and adopting these new technologies.

In his Science Museum speech, Tony Hall spoke about the BBCs future in the digital world and the importance of an ‘open’ BBC which will be instrumental in creating platforms to support other public institutions, ‘helping them make the most of the digital age’ (Hall 2015). I want to see this more ‘open BBC’ take responsibility in engaging with a wide range of other education providers to help them also make the most of the digital world.

But this absolutely requires investment – and the BBC’s investment in education has been heavily slashed in recent years.

I’ve been in politics quite a long time and I know there are two ways of looking at policy development. One is to say ‘this is our vision of how education should look in 2020–2025, because if the UK is going to be a seriously competitive nation we will need the skills to make that possible’.

The other way is to say ‘we’ve been talking to government about charter review and they’re very concerned that we save some money; so we’ll lower our expectations, and our vision, to the point they believe to be affordable. That way we won’t be embarrassed if we fail to deliver on our vision.’ Surely there’s only one way to look at what’s possible on behalf of the next generation, and then pull every lever we can to get them there.

The BBC is an instantly recognisable and trusted brand, and for more than 70 years it has delivered world-class services globally. The advent of online education provides any number of opportunities for the BBC to continue to adapt, improve and innovate in order to continue to deliver world-class education services. For all of us as citizens it must seize them.

Written by David Puttnam 

Source: IPPR

 

Lord Puttnam: BBC cannot thrive if constantly threatened 

As pressures mount for the UK's biggest public service broadcaster, Lord David Puttnam has blamed Britain for creating a perpetual state of threat that the BBC 'cannot thrive' in.

Speaking at a Guardian Live panel debate on Wednesday, the Labour back-bencher and film producer said organisations can only flourish in an "atmosphere of confidence" – something that, under growing pressures from government, financial strain and rapid changes in viewer behaviour, is quickly diminishing at the BBC.

"Organisations do not thrive, or change, or get better, when they feel themselves threatened," said Puttnam, who has launched an independent inquiry into public service television.

"We have managed, in some bizarre way, to allow the BBC in the last 10-15 years to feel a permanently endangered, permanently threatened organisation. You will not get great television, you will not get great programming, and you will not get a healthy 21st century broadcaster in that environment."

With a funding shortfall of £150m to make up for in 2016-17, largely due to the faster-than-expected move to online viewing, the BBC has had to make 1,000 job cuts, move BBC Three wholly online – the BBC Trust confirmed today it will be switched off as a channel in February – and has lost the Olympic TV rights to Discovery following a deal worth £920 billion.

Meanwhile, under a Tory Government the Corporation is being forced to fork out £750m to fund the licence fee for over-75s.

Puttnam said that the "extraordinary pressure" that director general Tony Hall is under means that bringing about the changes that need to happen becomes "impossible".

"Tony Hall comes under such extraordinary pressure that he is actually not able to deliver the organisation that I think he wants to deliver – and that I think he probably knows how to deliver," he said.

"But you can't make change in an atmosphere where every single day you are running into a crisis."

Meaning of public service broadcasting 'needs reappropriating'

David Puttnam speaking

Speaking alongside Lord Puttnam on Wednesday, Luke Hyams, head of international content at Maker Studios, also called on industry to get behind the BBC and Channel 4 – and, going forwards, said that the onus is "on us" to make sure younger generations understand the value of public service broadcasting.

"We're at a time where we need to get behind the BBC and Channel 4 and reappropriate young people's vision of public service broadcasters," Hyams said, adding that a lot of young people are still unsure of what it means to be a PSB.

"On a lot of occasions I get asked: 'Is YouTube…or Instagram…or Periscope a PSB?', because these are things the public have access to that they can broadcast through, that they can share their opinions from, in various levels of creative ways."

While Hyams said that public service broadcasters do a number of things well – from high-production value, well-thought out dramas on Channel 4 and the BBC, to niche digital services such as 6Music and 1Xtra – he also noted areas which need improving.

Citing the BBC's news coverage of the 2011 London Riots, Hyams said when it comes to objective news the Corporation is often biased towards authority – something which young people are "sceptical" of.

"We have various challenges with respecting authority – whether it's the Tories making endless cuts, or the Murdoch press who have very unscrupulous means to get their stories – so I think what PSBs need to do is step aside from that, keep the objectivity, but really reassess what it means to be a PSB," he said.

As new subscription VOD players such as Netflix and Amazon Prime continue to make waves, and young people increasingly view content online, Hyams also called for a reappraisal of the BBC licence fee and how it is perceived.

At around £11 a month, compared with £5.99 for Netflix and approximately £6.58 for Amazon Prime, Hyams said the licence fee "far exceeds" anything you get from any of the other subscription services currently on offer.

"At the same time though there is the feeling that you are having another tax, another bill imposed on your household that you don't really have a choice about… But if most young people don't have TVs and instead use laptops, we need to get the BBC to spend a lot more money online so we have much more of a justification to be able to charge for the licence fee.

"For us there are lots of reasons for the BBC to continue and we just need to work hard for that next generation to make sure they value it in the same way that we do."

Written by Ellen Hammett 

Source: Mediatel 

Lord Puttnam gives the keynote speech at UK Sport World Class Performance Conference 2015

Yesterday evening, Lord Puttnam gave the keynote speech at UK Sport’s 15th World Class Performance Conference 2015 at Hilton London Wembley.

The annual conference brings together leaders, practitioners and coaches to meet, debate and share best practice across key themes influencing athletes’ performances.  This year, the theme of the conference was ‘realizing ambition’.

Lord Puttnam opened the conference by offering inspirational words on what it takes to realize ambition and the importance resilience, credibility and fairness.

“Chariots of Fire has lived because it speaks to something in people. It’s the sense of our better selves”

“Young people are desperate to be fearless, we just need to enable them.”

Follow the conference on Twitter #WCPC15

Follow David Puttnam on Twitter @DPuttnam 

David Puttnam Calls for Consolidation of European Distribs in Tallinn Address

The looming impact on the European film industry of the proposed Digital Single Market — a movement to eliminate online market restrictions between EU nations — was the hot topic  of conversation at Nov. 18’s European Film Forum in at the Black Nights Film Festival in Tallinn, Estonia, with an introductory speech by Oscar-winning producer and U.K. Film Distributors’ Assn. president David Puttnam diplomatically addressing both sides of the debate.

Speaking to the Tallinn audience via video link, Puttnam declared that a border-free film market could foster larger audiences for European cinema across the continent, as well as “risk-taking distributors who are prepared to be part and parcel” of its development. On the other hand, he warned, removing national markets could make it harder for “smaller, more interesting” Euro productions to find financing: “There’s a real fear of throwing the baby out with the bathwater.”

Addressing a more personally cherished cause, he added that any changes to the copyright scheme should not be to the disadvantage of educators, as he expressed his wish for “the world of the classroom (to) be removed from restrictions in the commercial marketplace. … I want teachers to feel they can use whatever material they can get their hands on if that’s a way of enhancing the interest of students,” he stated.

On the business front, citing the increased possibilities digital technology has brought to the film marketing business, Puttnam declared that “bottom-feeders” like download outlets Amazon and Apple should become a more active part of the industry’s “risk profile.”

“This may be wishful thinking,” he admitted, explaining that such companies can move up the value chain not just via original programming, but by underwriting some of the “prohibitive” advertising costs for less mainstream films.

Finally, with or without the DSM, he called on European distributors across different territories to be more communicative, stating his concern that a “family business” mentality is overly dominant in the distribution sphere. “Consolidation in the marketplace … supported by the right kind of legislation,” he concluded, “could give the average European film, or the above-average European film, a real shot at competing with its very well-funded American competitors.”

Written by Guy Lodge 

Source- Variety 

EC's DSM strategy given short shrift at Tallinn forum

The European Commission’s proposed Digital Single Market (DSM) strategy for the film industry has been given short shrift at the opening of the European Film Forum in Tallinn.

At an opening session entitled ¨Territoriality: Business Backbone or Barrier?¨, Lord David Puttnam sent a video greeting speaking on behalf of the Film Distributors Association said that it would, “on balance” be a good thing if the DSM strategy could result in the creation of “vigorous, more risk-taking distributors who are more prepared to be part and parcel of the development of European cinema.”

“But there is a real fear of throwing the baby out with the bath water,” he warned. “The best of intentions could actually result in making it harder and harder to get smaller and more interesting European films financed and distributed.¨

Benoit Ginisty, director of the international film producers association FIAPF, pointed out that it was advantageous for the European film and TV industries to have a digital economy, “but if you only focus on the section relating to copyright, the Commission has basically adopted a kind of consumer’s perspective – at the end of the day, this approach will be contraproductive for consumers.”

“Our problem is that we do not want to be perceived as conservative, we really want to be listened to as responsible people who can say today what could be the consequences on our business, our private business in the future if the roadmap of the Commission was to be realised,¨ Ginisty explained.

¨Basically, what we are saying is that European production today is fragile and related to the market realities,” he added, noting that “one of the main achievements in Europe has been co-production and its capacity to raise pre-sales on other territories. Our question is whether this financing model will be able to remain in position in the future.”

Another issue he identified was the capacity of local distributors who create the audiences for European films: “The question is whether we want to disrupt an entire copyright regime and entire financing  eco-system just for ex-pats.”

Speaking from her members’ perspective, Pauline Durand-Vialle, CEO of the Federation of European Film Directors (FERA), observed: “If we talk about the disruption of the distribution part of the value chain and we take the risk of completely upsetting the financing part of it, the creators cannot create anymore.¨

“The whole problem is much more complex than simply giving access to the public to the works that creators are creating and producers are producing. The issue is to make them known – and how do we do that in the new media where there is a sea of content, and not all of it European, to pick from when you are a consumer,” she argued.

Turning to the subject of cross-border access, Ginisty suggested that “hopefully, we will be able to convince the Commission and the rest of the eco-system that there is a huge risk for everyone, including the consumers. Our fear is that we see a situation where the European market is centred around a limited number of platforms.”

This would militate against promoting a diversity of films and competition between platforms.

He added that the DSM strategy wanted to help create more jobs throughout the EU, but the opposite would be achieved if cross-border access was introduced.

Written by Martin Blaney

Source- Screen Daily 

Laos, UK: Forging Creative Partnerships Through Business

VIENTIANE, LAOS: On Friday, Lord David Puttnam, the UK Prime Minister’s Trade Envoy to Laos, Cambodia and Vietnam, marked the opening of a workshop on identifying trade opportunities for UK companies in the Lao service industry sector.

Organized by the British Embassy in Vientiane and Emerging Markets Consulting (EMC), more than 50 experts, business people and government representatives met on Friday at Landmark Hotel to openly discuss opportunities in the Lao service sector for British businesses.

Participants included officials from the Ministry of Industry and Commerce and the Economic Research Institute for Trade, representatives of the international community, the UK Trade and Investment Regional Representative as well as representatives of Japanese companies, sharing their experiences of working in the Lao PDR.

The workshop highlighted several service industry subsectors that are particularly promising for British investments and expertise, including opportunities in education, the tourism and hospitality sector, and in financial services.

The conclusions will be incorporated into a comprehensive analysis that will provide a robust evidence base to engage longer term on improving the business environment and bringing more British companies to Laos.

In his opening remarks Lord Puttnam highlighted how trade can contribute to strengthening political ties, as improved trade flows underpin close bilateral relations. He stressed that the UK is determined to fortify business links with Laos, particularly in areas where the UK excels, such as English language training, higher education and financial services.

Britain has a strong ranking in education, traditionally in the top ten countries, with some of the best quality universities and is also the world's leading global financial services centre and the most internationally focused marketplace in the world. Lord Puttnam also highlighted that accessing the Lao market means not just entering a single country. With the introduction of the ASEAN Economic Community, it will increasingly be a free pass to ASEAN, which if considered as a single market, would be the 7th largest economy in the world.

Source- KPL Lao News Agency 

UK shows the best of its education sector in Laos

(KPL) On Thursday Lord David Puttnam, the UK Prime Minister’s Trade Envoy to Laos, Cambodia and Vietnam, held an inspiring guest lecture at the National University of  Laos before opening the first ever UK Education Expo in Laos at Vientiane College. 

Organized by the British Embassy in Vientiane, on Thursday morning more than 300 university students, professors and staff had the chance to watch three outstanding guest lectures by British guests, among them Lord David Puttnam, Oscar-winning film producer and the British Trade Envoy to Laos, Cambodia, Myanmar and Vietnam.  

In his 25-minute lecture, Lord Puttnam talked about both the importance of leadership and how to develop into a distinct leadership personality. Reflecting on his own outstanding career in film, education and politics he introduced his “seven laws of creative leadership”. Other presentations included a short lecture by Prof. Emer Elizabeth Moore of the School of Oriental and African Studies (SOAS), University of London on Buddhism and archaeology, as well as a talk on “transformational marketing” by Dr Geoff Parkes of Aston University.

In the afternoon, Lord Puttnam was visiting Vientiane College to open the 1st ever UK Education Expo in Laos, attended by the University of London, Aston University, the University of the West of England and the British University Vietnam. They were joined by representatives of the Chevening scholarship programme and the British Council.  

During his opening speech Lord Puttnam highlighted the benefits of an education abroad and praised the UK for the high quality of its education system, the large number of available university programmes, and British excellence in teaching and research. The fair welcomed more than 500 visitors from various universities, colleges and schools, who used the chance to receive first hand information from UK university representatives on their programmes, relevant pre-conditions as well as scholarship opportunities. Several Lao Alumni talked to visitors about their experiences of studying in the UK and the British Council provided resources for further information.   

Education is a key area of UK – Lao cooperation. As part of the two countries’ “Creative Partnership”, the British Embassy Vientiane supports the Lao government in establishing English as a second language at primary schools by improving English teacher skills and creating modern teaching material, and also funds an English-language training programme for Lao government officials.     

Source- KPL: Lao News Agency 

Launching UK University Education Fair 

Yesterday, on 5th November, Lord Puttnam delivered a speech at the UK University Education Fair in Vientiance College, Laos. 

He spoke to a group of school leavers and their parents about the importance of higher education. He advocated the UK as offering world-class university education reminding prospective students that 6 of the top 10 university in the world are in the UK. 

Lord Puttnam spoke in his capacity as Prime Minister's Trade Envoy and on behalf of UKTI. 

Colin Welland 

Colin Welland was an unswervingly good man; a fine actor, and a seriously gifted screenwriter.

These gifts not only brought him most of the accolades TV and Cinema can ever offer, but cemented the careers of everyone who rode on the back of his Chariots of Fire'.

The depth of his feelings, and sense of identity with the people he wrote about was achingly real.

When Harold Abrahams speaks of the 'unspoken snobbery of the English upper classes towards his immigrant Jewish family' it's Colin's Northern voice railing against the tragedy of a regional and class divide that still stunts us as a nation.

When Eric Liddell explains to his sister that "when he runs he feels God's pleasure" it's Colin's delight In athleticism and moral purpose you are listening to.

There is one short clip from an interview Colin gave about 'Chariots' that I still use when teaching, and which for me sums Colin up better than anything I or anyone else could ever write about him.

Following his success at the Academy Awards, Colin was being somewhat gushingly interviewed about the 'Oscar' and responded:

"We didn't make the film to win Oscars, that aspect of things never crossed our minds, we just wanted to do those men justice, we wanted to make it true, and we wanted to make it good – to tell their story, and give them the film they deserved".

He did that and much, much more.

UK Film Week 2015: Music is GREAT Britain 

On 30th October, Lord Puttnam took part in the launch of Vietnam’s ‘UK Film Week 2015: Music is GREAT Britain’ organized by British Film Council Vietnam to showcase the best of UK cinema, this year, with a particular focus on musicals.

He also engaged local filmmakers in a British Council Film Workshop where he addressed key issues in today’s movie business and held a Q&A discussion with an audience of directors, producers, actors and actresses invited by Ho Chi Minh City Film Association.  

Various films will be screened throughout the Film Week in Hanoi, Danang and Ho Chi Minh City including Lord Puttnam’s own BAFTA award winning Bugsy Malone (1976).