Month: April 2016

IT Professionals Day celebrates contribution to sector and economy

Today has been designated IT Professionals Day to celebrate the contribution made by technology professionals to business and society.

In an event to highlight the day, the Irish Computer Society awarded honorary fellowships to Lord David Puttnam in recognition of his contribution as a digital champion and to Mary Moloney, global CEO of CodorDojo, in recognition of her significant contribution in the field of information technology.

“My obsessive interest in computing and the digital world was first sparked when I worked for the UK’s Department of Education in the late 1990’s,” said Lord David Puttnam, “and it became clear to me that the digital world had the opportunity to completely transform teaching and learning. I wanted to be part of that”.

According to the ICS, there is increasing demand across Europe for highly skilled digital workers and all businesses and sectors need better digital skills to maintain their competitiveness.

“As members of the IT profession, we contribute to the fastest growing, exciting and significant parts of both the Irish and global economy, “said Jim Friars, CEO of the Irish Computer Society. “Information technology is embedded in every workplace, educational institution, home and social enterprise. IT Professionals Day has been established to recognise and highlight this contribution and to ensure that there is a better awareness of these facts across all aspects of society. IT Professionals should be proud of their contribution.”

IT Professionals Day asks those in the profession to get involved online, to commit to a code of conduct, connect by availing of ICS membership with access to the online CPD system, and contribute by giving time to Smart Futures volunteer programme and/or input to a European-wide survey on ICT professionalism through the EU Professionalism Project.

IT pros are also asked to tweet using #itprodayeu and #standupandgiveback

A number of chief information officers and senior professionals in the sector have shared their thoughts in a series of videos on www.techweek.ie/it-professionals-day/

Source: TechCetral

 

Lord Puttnam: protect BBC from state intervention

Lord Puttnam has backed calls by Lord Lester and other MPs for the BBC charter to be supported by statutory legislation.

Adding a statutory element to the charter would enshrine its terms in law and is designed to encourage a more robust renewal process and greater parliamentary scrutiny of changes to the BBC in future.

Addressing the House of Lords during a speech yesterday, Puttnam expressed concern over Sir David Clementi’s report on BBC regulation and governance claimed it “conflated” the two elements. He was also “disappointed” that it supported the notion that six of the 13 unitary board members should be appointed by government.

Culture secretary John Whittingdale’s plan for the government to appoint a “significant majority” of board members was “even more disturbing”, according to Puttnam.  

“That’s what I call the wrong kind of state intervention” he said.

More secure BBC

The former Channel 4 chairman and lead of the inquiry into the Future of Public Service Broadcasting argued that “after almost a century of extraordinary success, the time has come for the BBC to be constituted on a more secure and permanent basis”.

Puttnam welcomed the Lords Communications Committee’s report on the future of the corporation, including its calls for greater transparency around the funding process and prevention of top-slicing of the licence fee.

However, he said the Lords’ report did not have the remit to scrutinise issues surrounding the BBC’s independence in relation to its governance and funding.

“The crucial issue is for anyone seriously interested in the health of plural democracy to focus on the overriding importance of the corporation’s independence,” he said.

Puttnam backed shadow culture secretary Maria Eagle’s comments on Tuesday that the government had taken a “bullying” approach to charter renewal.

He said that threats to force a sell-off of UKTV and open up the licence fee to contestable funding to help fund children’s programming was “at best short-sighted”.

Source: Broadcast

Written by Hannah Gannagé-Stewart

BBC Charter Review (Communications Committee Report)

21/04/16

Lord Puttnam:

My Lords, I, too, welcome the opportunity of this debate. Like the noble Lord, Lord Fowler, I am very grateful to the noble Lord, Lord Best, and his committee for their sterling work. It is not the first time in your Lordships’ House that I have followed a speech on this subject by the noble Lord, Lord Fowler, and found myself in agreement with precisely every word that he has spoken, but I shall try to approach some of the issues from a slightly different angle. 

Having chaired the joint scrutiny committee for the 2003 Communications Bill, I am keenly aware of the complexities of any discussion around the future of public service broadcasting; and I should at this point declare an interest: I am chairing an ongoing inquiry into the future of public service broadcasting generally, not just the BBC, and we intend to report in June. 

This committee’s report which we are debating today is extremely helpful, but it was forced to be somewhat narrower than the debate needs and deserves at this late stage in the process. I entirely welcome its focus on public purpose, its support for a far more transparent process in the setting of the licence fee and its resistance to the notion of the BBC as any form of “market failure” broadcaster. I also strongly support the report’s conclusion that there is no need or justification for contestable funding, let alone further top-slicing of the BBC’s resources for other purposes. But—and it is a rather big but—the report’s remit did not allow it to address the issues of governance and those of funding more generally. It suggested scrapping a good deal of the accountability framework without really putting in place anything substantive beyond supporting Ofcom’s definition of PSB. 

For me, the crucial issue for anyone seriously interested in the health of plural democracy is to focus on the overriding importance of the corporation’s independence. In one sense at least, the Secretary of State John Whittingdale has got it right. The future should not—in fact, the future cannot—be simply a version of business as usual. The overwhelming need is to restore faith in the 

whole process, and to do so the Government must demonstrate their support for meaningful independence in their approach to appointments. As we are currently seeing, Governments of all persuasions can and do use the prospect of charter review and its associated funding decisions to put pressure on the BBC. For a democracy such as ours, that is a thoroughly unhealthy state of affairs. Surely, after almost a century of extraordinary success, the time has come for the BBC to be constituted on a more secure and permanent basis. I will therefore be avidly supporting the noble Lord, Lord Lester, in arguing in favour of replacing the present charter system by placing the BBC on a statutory footing, if necessary through a new Act of Parliament. 

The recent review of the BBC’s governance and regulation by Sir David Clementi was right to highlight the problems that the BBC Trust has experienced since it replaced the governors as the corporation’s sovereign body. As Sir David noted, the trust model has conflated governance with regulation and, as a consequence, it has often been hard to tell who has been in charge—the executive or the trust. However, I am sure that I was not the only Member of your Lordships’ House who was disappointed to read Sir David’s suggestion that government could appoint six out of the 13 unitary board members. It is even more disturbing to hear a Conservative Secretary of State suggest that it is perfectly legitimate for government to appoint a significant majority of board members. Given that the Green Paper claims that: 

“The independence of the BBC is absolutely central to its mission”, 

surely any proposal to increase government influence on what is intended to be a powerful and influential body suggests precisely the opposite. 

At the very least, the appointments process should resemble that of Channel 4, nine of whose 13 board members—and I was a very happy deputy chairman—are appointed by Ofcom, free of any perceptible government influence. Ideally, I would like to see a majority of board members selected through a significantly more democratic and, indeed, imaginative process, involving diverse and experienced representation drawn from right across the country. 

We should all be conscious of a growing disquiet, and even an anger, over the prospect of a Whittingdale Broadcasting Corporation. I refer noble Lords to the excellent speech given by the shadow Secretary of State for DCMS on Tuesday of this week in which she quite rightly excoriated the Government for what appeared to be their bullying of the corporation during the current charter review process; for example, by floating proposals that would involve the corporation selling its stake in UKTV’s bouquet of channels, thereby stripping BBC Worldwide of one-third of its profits. I also draw the attention of the House to a warning delivered by the person who may well be this country’s most trusted public figure, Sir David Attenborough, that the Government need to, 

“keep themselves at arm’s length”, 

from the BBC in order to protect its independence. 

The Government have an opportunity to demonstrate their support for the BBC through their deeds rather than their words, providing the corporation with the security and the scale it requires to continue in its role as the fundamental cornerstone of the public service information landscape as well as the vital engine room of the UK’s ever more successful creative industries. Yes, the BBC needs to enter into new partnerships, but these should not be imposed through top-slicing or by forcing it to become more distinctive, when it is obvious that that is simply another way of saying that it should retreat from popular formats. 

For almost 20 years, I had the pleasure of sitting on the board of Anglia Television. As such, I witnessed at first hand the manner in which ill-considered legislation —in that case, the Broadcasting Act 1990—led to significant and wholly unnecessary job losses; the evisceration of an excellent regionally based training structure; a general decline in regional pride and identity; and, most regrettable of all, the erosion of democratic accountability. Noble Lords have only to consider the dramatically reduced level of visibility of any Back-Bench MP as against the situation 30 years ago—a time when every MP, along with other significant local political figures, could expect to get their views aired across their regions and to their local constituents on at least a quarterly basis. That is what I am referring 

to when I speak of ill-thought-through legislation creating a damaging loss of democratic accountability. 

I am pleased, however, to report that not every senior member of the Government shares a lingering antipathy towards BBC. Here is what the Lord Chancellor and Justice Secretary had to say on Radio 4, no less, just two days ago: 

“Britain is a great country—the world’s fifth largest economy with the world’s best armed forces, best health service and best broadcaster. We are first in the world for soft power thanks to our language, culture and creativity”. 

Unless I am very much mistaken, I do not think that Mr Gove was referring to Sky, but then who knows? 

We have been assured that the White Paper on the future of the BBC will be with us shortly. We can only hope that it contains measures designed to strengthen public service broadcasting and not to eviscerate it at the behest of its commercial rivals. Indeed, we should do more than hope. I would like to believe that today’s debate will be seen as a shot across the bows of any Government from any party wishing to bring forward measures that could damage one of this country’s two most highly regarded institutions. In a world running short on trust, the BBC remains a significantly more credible organisation than any of those who, for political or for commercial reasons, seek to undermine it. 

Two weeks ago I had the pleasure of chairing an event at BAFTA discussing the future of public service broadcasting. At the end of what was a very lively session, I suggested that there was such public interest in this area that any attempt by the Government to undermine the BBC and its independence would be met by a march down Whitehall that would make the Countryside Alliance look like a tea party. I sincerely believe that that could be the case. I sincerely hope that I will be there, and I sincerely believe that the rest of the country would back it.

 

Don’t waste film talent, says Puttnam

Lord Puttnam, the award-winning producer, has urged Scotland to create its first dedicated film studio.

On a visit to Scotland, the producer of Chariots of Fire, Local Hero and The Killing Fields, said: “If you build it they will come.” The peer said he was disappointed about the lack of growth of the Scottish screen industry compared with the rest of the UK, considering its output in the 1980s and 1990s.

He called on the Scottish government to step up efforts to support the creative industries and take action to prevent a talent drain out of Scotland.

Lord Puttnam was speaking as part of an inquiry he has started into public service broadcasting.

The Scottish government has backed plans to create a permanent studio at an industrial estate in North Lanarkshire. A private consortium has been pursuing a vast studio development for a green belt site on the outskirts of Edinburgh. Fiona Hyslop, the culture secretary, pledged that the SNP would create Production Scotland, a body dedicated to generating more home-grown productions, if re-elected next month.

Lord Puttnam said it was crucial for any studio to be introduced on top of a strong “talent base” in Scotland or it risked failure.

“You cannot build the creative industries around a film studio. If you believe in the creative industries you will eventually need one in order to deliver a lot of the things you aspire to,” he said.

“You’ve got to make the case that the creative industries generate revenue and the kind of jobs that young people and graduates want to aspire to.”

More capital was flowing into film content than ever before, with web channels like YouTube providing more opportunities to play out content, he added.

“If you think that movement is inexorable, wouldn’t it be a good idea for the Scottish government to be looking very seriously at building that talent and income base? If a studio is an outcrop of a whole load of activity that is taking place in Scotland, where really good scripts being written and good directors are working, then it will be viable.

“The Scottish government should be looking at the talent base in Scotland, making sure it is well utilised, trying to keep it at home and not draining across the border.”

Lord Puttnam used classic Scottish coastal settings for two of his most successful movies. Chariots of Fire told the story of the Scottish Olympian Eric Liddell, a devout Christian who refused to run on a Sunday, with scenes filmed on the beach at St Andrews.

Local Hero was a 1983 comedy- drama written and directed by Bill Forsyth and filmed in the northeast and on the west coast of the country.

Source: The Times

Film producer Lord Puttnam urges creation of Scots film studio

THE AWARD-WINNING producer of Chariots of Fife, Local Hero and The Killing Fields has urged Scotland to create its first proper film studio, saying: “If you build it they will come.”

Lord Puttnam said he was dismayed at the level growth of the Scottish screen industry compared to the rest of the UK considering where it was in the 1980s and 1990s.

He called on the Scottish Government to step up efforts to support the creative industries and take action to prevent a talent drain out of Scotland.

He has also urged the country to try to emulate the hugely successful “Nordic noir” TV series which have emerged from Sweden and Denmark in recent years and said the long-delayed studio development could help buffer the country from the impact of the decline in the oil industry.

But he also warned a studio could be left redundant for months without proper infrastructure in place and enough grass-roots support for producers, writers and directors.

Lord Puttnam was speaking to The Scotsman during a visit to Scotland as part of an inquiry he has instigated into public service broadcasting.

He is the latest high-profile industry figure to enter the debate on the lack of a Scottish film studio, which has been played out for more than 80 years.

The Scottish Government last month backed plans to create a permanent studio at an industrial estate in North Lanarkshire.

An existing warehouse complex at the site, which the government has agreed to help expand, has been used for the hit Sony TV show Outlander and is widely expected to return there for a third series. 

A private consortium has been pursuing a separate project which would see a vast studio development built on a green belt site on the outskirts of Edinburgh.

However the developers behind the £230 million project, which could take at least five years to complete, have been forced to mount an appeal to the Scottish Government after failing to win the backing of Midlothian Council.

Lord Puttnam said it was crucial for the studio to be built on top of a strong “talent base” in Scotland or it risked being a failure.

He said: “You cannot build the creative industries around a film studio. If you believe in the creative industries you will eventually need one in order to deliver a lot of the things you aspire to. 

“You’ve got to make the case that the creative industries generate revenue and the kind of jobs that young people and graduates want to aspire to. More capital is flowing into film content than ever before. More opportunity exists for that content to play out on YouTube or wherever.

“If you think that movement is inexorable, wouldn’t it be a good idea for the Scottish Government to be looking very seriously at building that talent and income base?

“If a studio is an outcrop of a whole load of activity that is taking place in Scotland, where really good scripts being written and good directors are working, then it will be viable.

“But don’t start with a studio. If you do you’re in danger of defeating your own objectives. Suddenly the studio could, God forbid, be empty for three or four months a year.

“The Scottish Government should be looking at the talent base in Scotland, making sure it is well-utilised, trying to keep it at home and not draining across the border.”

Outlander, which started filming at the former Isola factory in Cumbernauld in the autumn of 2013, has been in production there ever since and has been credited with boosting the value of Scotland’s screen industry to a record £45 million. 

However the lack of a permanent studio is said to have cost Scotland the chance to be the base for HBO’s hugely successful fantasy series Game of Thrones.

Lord Puttnam added: “The industry in Scotland is not as strong as I would have hoped or expected by now, given all the other developments. I am not too surprised, and I’m not sure why that is the case.

“The best model for Scotland at the moment are the Swedish and Danish noir TV series. That’s been built up from nothing. You only have to look at somewhere like Leavesden Studios in London. It was built for Harry Potter, but now it is not only a studio but is making millions as a Harry Potter experience. 

“On balance, it is a lot easier to make films now. The whole world of digital has made filmmaking a lot easier.

“I can vividly remember when Bill Forsyth and I were making Local Hero the first big question we had with the budget was film stock. My job was to run around and make sure we had enough money to fund it. Today, the equipment is half the weight. It is a lot easier to make good content than it was then.

“I would absolutely involved in a film in Scotland again – partly because I got so lucky here. I had consistently very happy experiences. I really ought to be put out to pasture, by now. I am 75, after all.”

The site for the planned national studio

 

 

 

 

 

 

 

 

Written by BRIAN FERGUSON

Source: The Scotsman 

Lord Puttnam calls for greater VPF transparency and new BFI distribution fund

The Labour Lord and former producer has addressed VPFs, Brexit and the potential for a new specialised BFI distribution fund in a wide-ranging speech to industry.

Labour Lord and former film producer David Puttnam has called for digital cinema integrators to reveal publicly when their Virtual Print Fee (VPF) schemes are due to end.

Puttnam was speaking today in his capacity as president of the Film Distributors’ Association (FDA) in the wake of a keynote address at an industry breakfast in London.

The VPF is the subsidy paid by distributors toward the digital equipping of cinemas. It remains a source of both controversy and uncertainty within the industry.

One integrator Arts Alliance Media recently told Screenthat the terms of their VPF deals remain confidential.

However, the former Columbia Pictures chairman Puttnam told Screen today: “We don’t live in a world any longer where the cloak of confidentiality causes anything other than deep suspicion.”

“In a world where the Prime Minister and the Chancellor of the Exchequer will publish their own income tax returns, how much sense does it make for an integrator not to publish, for everyone to look at, the day on which their contracts expire and fees cease to become payable,” Puttnam said.

“I would like to think that the onus has got to be put on the integrators to come out from behind the cloak of confidentiality, put their cards on the table, say this is where we’ve got to, these are the interest payments payable, this is when they will be paid off and that’s the day on which the VPF will end.”

Earlier, in a wide-ranging speech to industry, Puttnam stated that it was “crucial” for the British Film Institute, with DCMS backing, to ensure “a fair independent and transparent resolution to this issue.”

Puttnam also praised the European Commission’s flexibility regarding another vexed issue, that of the Digital Single Market (DSM) and the principle of the territoriality of rights.

“I’ve got to know and like (Commissioner) Ansip. I think he totally gets it. With some pain and some inconvenience, I think they (the EC) have absolutely accepted that the problems that would be created if they press that (the end of the territoriality of rights) are ones they could really do without.”

Puttnam added that he “enjoyed and appreciated” the pragmatism that the Commission had shown regarding the DSM. “It’s one of the reasons I remain a really ardent pro-European. My experiences with the European Union is that they do end up with evidence-based solutions. The quality of the staff in the Commission is excellent.”

“These are not stupid people. I don’t think a ridiculous decision like Jeremy Hunt’s decision to scrap the UK Film Council would have been made in Europe. I think the checks and balances, the amount of evidence required to make a decision like that – it wouldn’t have happened. I get much more concerned about off-the-hoof decisions made by our own politicians than I am about Europe.”

In his speech, Puttnam also called for the BFI to create an enhanced distribution fund for specialised films and for distributors to be given “a super-charged role” to make the BFI’s Film Audience Network and regional hubs “a lot more effective.”

“Given the seismic changes buffeting the distribution business model, this kind of support is crucial if independent, specialised cinema programming is not to shrink even further over the coming years.”

He also recommended that the BFI’s distribution fund see greater recoupment from successful films:

“As audiences are, in practice, delivered film by film via distribution risk and investment, surely there’s an argument for a significant slice of any income received by the BFI from commercially successful, Lottery-funded releases to be re-allocated to the distribution fund.

Among other suggestions, he also called on the BFI to “urgently” fill the vacancy for a UK film distributor on the BFI board before deliberations over its ‘Film Forever 2’ plan are completed.

Written by Geoffrey Macnab

ScreenDaily

Tilda Swinton doc to close Sheffield Doc/Fest; David Puttnam to speak

Written by  By Michael Rosser

….

Doc/Fest also announced that world snooker champion Ronnie O’Sullivan would attend the festival to reveal the documentaries that have inspired him throughout his life and career.

He will be in conversation on June 13 at Sheffield’s Crucible Theatre, where he has won five world championship titles over the years.

In addition, Chariots Of Fire producer David Puttnam, who is currently chairing an inquiry into the future of public service broadcasting in the UK, is to debate the future of the BBC and Channel 4 at Doc/Fest on June 14.

Liz McIntyre, Sheffield Doc/Fest CEO and festival director said: “The ability of the documentary art-form to attract the fiercest intellects, individual thinkers and ground-breaking innovation is no-better demonstrated than here.

“I am thrilled to present to audiences this true diversity of talent across the festival’s three programme strands, as well as Europe’s first demonstration of USC Shoah Foundation’s world leading cutting edge technology in Alternate Realities.

“I am also delighted that Lord David Puttnam has chosen Doc/Fest to hear from Yorkshire and other audiences about the future of public service broadcasting.”

The full festival programme will be announced on May 5.

Source- Screen Daily 

Read the full article

BBC IS 'ALIVE AND KICKING', SAYS DIRECTOR GENERAL LORD HALL

By Aine Fox, Press Association

The BBC is very much alive and kicking, the corporation's boss has said, as he warned against cuts to public service broadcasting.

The next charter must recognise the BBC's contribution to national life and further afield, its director general Tony Hall said as he continued to make a passionate defence of the broadcasting organisation.  He told a packed audience, which included BBC Trust chair Rona Fairhead, at Bafta in central London that he is proud of the achievements at the broadcaster and championed its independence.

Ahead of the talk a handful of people had gathered outside the building in Piccadilly with banners, badges and leaflets emblazoned with the slogan "Save the BBC", who Lord Hall thanked from the stage for their support. The BBC's royal charter, due to expire this year, is currently under Government review, and Culture, Media and Sport Secretary John Whittingdale sparked fears the corporation would be scaled back when he said the review would look at whether the broadcaster should continue to be "all things to all people" or have a more "precisely targeted" mission.

Asked when the White Paper on the corporation's future may be published Lord Hall said: "I really don't know", but added that he hoped it would be "soon".

About its possible content he said: "I hope that it will re-emphasise the importance of the BBC for our national life, I hope it will re-emphasise the importance of the BBC to the UK globally."

 

"I hope it also recognises the impact we have on the creative economy broadly."

In conversation with film producer and Labour peer, David Puttnam about the value of public service broadcasting, he said: "How do you ensure the next generation of talent is grown in this country? That falls very heavily on the BBC I believe in the future. That's why this charter is very, very important for the BBC in the future."

Lord Puttnam is chair of the A Future for Public Service Television Inquiry. Referring to the long-running radio drama The Archers which has been in the headlines lately for a storyline on domestic violence which has gripped listeners, Lord Hall said he relishes when things produced in the world of radio and broadcast become talking points.

He said: "That says that the medium we are lucky enough to be working in has got absolute things to do, stories to tell, it's not dead, far from it. We are alive and kicking and the BBC above all is alive and kicking." He said he is "very proud" of all those who work at the corporation.

Speaking about the role of broadcasters generally he declared: "Public service broadcasting matters", adding: "Let's enjoy that and celebrate it", and warned against efforts to "cut it back".

He listed a range of BBC successes, including the Night Manager, Line Of Duty and War And Peace – which he said had inspired and encouraged him to read the epic novel.

In a plea to those on both sides of the debate about the value and importance of the corporation he said: "I think the best answer to the British public, to the politicians, to the Cabinet, to this Government, to everyone is the quality of what we do. Judge us by our deeds. And I think at the moment you can see what the BBC can offer."

Is there a future for public service TV?

The future of the BBC is seldom out of the press. Last night at BAFTA, Lord David Puttnam chaired a discussion with Lord Hall, the Director General of the BBC, about the future for public service television in a digital environment. Lord Hall stressed the importance of the BBC, not only to the UK but the world.

Thanks to the recent Panorama show on offshore funds in Panama, the Icelandic Government might fall. After the series of War and Peace, more people are reading the classic novel than ever before. The story about domestic abuse in BBC Radio 4’s The Archers has prompted a sharp rise in calls to charity hotlines. The Archers’ storyline took two years to build to its climax. As Lord Hall said, only public service broadcasters deliver shows that no one else can.

Aside from its cultural importance, the BBC is a huge part of the UK’s creative economy. Lord Hall thinks we should be worried about the decline of TV production in this country. Lord Puttnam added that the BBC is seen as the gold standard internationally so why is it that our Government attacks it?

Lord Hall wants the BBC to be able to look towards the future. The new broadcasting landscape is more about programmes and less about channels. The BBC has as much value as ever and he wants to continue to build it. He thanked the entertainment unions and protesters outside BAFTA for their continuing support.

No one knows what will be in the forthcoming White Paper on the future of the BBC. BBC News’ Martine Croxall questioned Lord Hall about the recently agreed Licence Fee deal with the Government which means the BBC is now responsible for the cost of free licences for the over-75s. She asked if this deal could be undone? Lord Hall answered that had been the only way to get an inflation-linked Licence Fee and top-slicing stopped. The BBC is also now free to go after licences for online viewers. Lord Hall is hoping to have the over-75s policy amended in 2020. Labour Peer Gus Macdonald is looking into it in the Lords.

Lord Puttnam emphasised that the BBC is ours. Democracy requires participation and we should all take action. “If necessary we’ll make the Countryside Alliance march look like Mickey Mouse.”

Lord Puttnam is leading Goldsmiths University’s Inquiry Into The Future of Public Television. He is calling for a fair, independent BBC charter review “that will frighten the life out of any government that chooses to challenge it.”

Keep your marching shoes handy.

Written by By WGGB Chair Gail Renard 

The Writers' Union

 

Judge us by our quality, says BBC's Tony Hall

It was an upbeat performance by Tony Hall, BBC director general, at an event held by the Future for Public Service Television inquiry.

He was in conversation with Lord Puttnam, the inquiry's leader, in front of an audience at Bafta, Piccadilly, London. He said the BBC had produced a range of successful programmes, such as War and Peace and the Night Manager and he defended the right to make popular formats such as Strictly Come Dancing.

He said the BBC's reputation was based on quality and having the funding to be able to put on such series as Happy Valley, BBC 2's Inside Obama's White House and the work of the Natural History Unit. He said: "I think the best answer to the British public, to the politicians, to the cabinet, to this government, to everyone is the quality of what we do. Judge us by our deeds. And I think at the moment you can see what the BBC can offer."

He refused to be drawn on what was expected in the government's White Paper on the future of the BBC, following on from a Green Paper which threatened to cut the size and scope of the corporation. He said the BBC, funded by the licence fee, had a role in taking risks in programming and nurturing new talent.

"The licence fee should give us the creative freedom to do what other people don't do – I totally reject the PSB model in the States – we must have the freedom to experiment."

He said the other strength the BBC had in an age of social media was the high level of trust it has with the UK public. "In a world where truth is a commodity, the BBC is twice as important," he said.

Martine Croxall, NUJ rep and a BBC News Channel presenter, asked him about the deal he agreed to with the Treasury for the corporation to fund the free TV licences for the over-75s, which could cost more than £700m. He agreed the deal should not have been done the way it had been – over a week, in secret without consultation – saying it wasn't the best decide something so important.

But he defended his decision, saying he had been offered an inflation-linked increase to the licence fee and the end to top-slicing. He said the corporation had been "dumped on" to fund non-broadcasting services, such as the roll out of broadband from the fee. He said he was discussing with Gus O'Donnell, the former cabinet secretary, who has been hired by the corporation to examine how to manage the deal, how the policy can be amended.

He was also asked about BBC Studios, the plan to move programme-making to a wholly-owned subsidiary company which will compete for commissions on the open market, ending in-house production quotas. Sylvia Harvey, visiting professor in communications studies at Leeds University, asked what would happen to intellectual property if BBC Studios were sold off by a future government. Tony Hall said there would be safeguards, but did not give details.

Members of the Federation of Entertainment Unions, which includes the NUJ, and actor Sam West, gave out leaflets, unfurled banners and gave out badges to passers-by and people attending the event. Tony Hall thanked the demonstrators for their support and said it was important that the public had a voice. He also admitted that he already lost his badge – NUJ broadcasting organiser, Sue Harris, was later able to give him another one after the event.

Lord Puttnam said if the independence of the BBC was attacked the public's reaction would make the Countryside Alliance march look like “Mickey Mouse”.

Source: National Union on Journalists- NUJ