Month: September 2016

Charter plans stifle BBC’s independence

by Des Freedman, David Puttnam

Government influence and market pressures have neutered the BBC’s draft charter, argue David Puttnam and Des Freedman

It is a well-established trick of the policy trade that if you want to implement unpopular changes, you should threaten the worst and then compromise so that both sides can then claim success.

This is what appears to have happened with last week’s publication of the draft BBC Charter and Agreement, with Tony Hall speaking of a ‘hard won charter’ that will guarantee the BBC’s immediate future.

We too are delighted to see that the government has dropped its original plans to set up a unitary board dominated by government appointees. We hope that our criticism of these plans contributed to this welcome shift. We are pleased that the Charter will last for 11 years, taking it outside of the electoral cycle, and that it requires the BBC to fully represent the UK’s diverse communities.

However, we believe that it fails to fully safeguard the BBC’s independence, both in funding and governance, and that it seeks to reinforce the Government’s determination to see regulation of BBC content and services in relation to its impact on competition.

The draft Charter does not secure sufficient guarantees about the BBC’s future, foreshadowing a potential threat to the BBC’s status as a universal public service broadcaster able to provide a range of popular and diverse content free at the point of use.

Government influence

Firstly, we are disappointed to see that the Secretary of State seeks to retain a significant role in the appointment of the board’s extremely powerful Chair (as well as the four members representing the Nations).

We had hoped that the government would seriously consider the proposals produced for us by the former commissioner for public appointments, Sir David Normington, setting out a series of tests to ensure a genuinely independent board. Sir David has criticized the shortcomings of the existing public appointments process and we believe it remains vital that the new Chair is selected purely on merit, not as a result of personal or political connections with the government of the day.

A political appointee could not only influence the BBC’s editorial and operational leadership, but also undermine confidence in the selection of the board’s other five non-executive members, as the Chair also heads up the Nomination Committee that draws up the shortlist for these appointments.

Market impact

Secondly, we are concerned that the Charter disproportionately requires the BBC to be mindful of its impact on the wider media market. Scheduling, for example, will now need to consider ‘any potential adverse impact on fair and effective competition’, which was totally absent from the previous Agreement.

Additionally, ‘distinctiveness’ is to be firmly embedded into the overall remit of the BBC, as Ofcom is now required to monitor the BBC’s obligation ‘to secure the provision of more distinctive output and services’.

This could easily prevent the BBC from running popular programmes in peak-time or from developing new online services that its competitors would frown upon. In particular, we believe the board’s autonomy in managing the BBC’s strategic direction will be limited by the draft Charter’s requirement that Ofcom has the final say in any disagreement between board and the regulator.

Shortcomings

Issues of significant concern to us that featured in the white paper have been incorporated into the draft Charter. For example, the BBC’s need to pursue technological innovation in the public interest has been downgraded from a core public purpose to a ‘general duty’. The Charter also firmly endorses the BBC’s right to provide a subscription service, allowing the BBC to ‘develop, test and pilot such a service, with the approval of the appropriate Minister’.

There are significant omissions. There is nothing that will prevent future funding arrangements from being carried out behind closed doors, and no detail of how to realize diversity as a public purpose; there is no onus on the BBC to change its employment practices, nor to allocate more money to, for example, BAME programming.

In conclusion, we are not quite as optimistic as the director general. There is little here to prevent the government from influencing the composition of the new unitary board, or from once again using licence fee revenue to pursue its own political projects (as it did when forcing the BBC to pay for free TV licences for the over-75s as part of its welfare reforms).

Instead, the BBC is to be handed an eleven-year extension with limited prospects for growth, and a requirement that it must not negatively impact the wider media market. Taken together, the proposed Charter and Agreement comes across not as a vote of confidence but a ‘holding position’.

 

David Puttnam and Des Freedman are overseeing the Inquiry into the Future of Public Service Television

Home but not dry: reflections on the draft BBC Charter and Agreement

David Puttnam and Des Freedman, who led the Inquiry into the Future of Public Service Television, respond to the draft BBC Charter published last week.

It is a well-established trick of the policy trade that if you want to implement unpopular changes, you should threaten the worst and then compromise so that both sides can then claim success. This is what appears to have happened with the publication last week of the draft BBC Charter and Agreement such that the director general, Tony Hall, could speak of a ‘hard won charter’ that will guarantee the BBC’s immediate future.

Like the director general, we are delighted to see that the government has dropped its original plans to set up a new unitary board dominated by government appointees. We hope that our criticism of these plans contributed to this welcome shift. We are also pleased that the Charter will last for 11 years, taking it outside of the electoral cycle, and that it requires the BBC to fully represent the diverse communities of the UK.

However, we believe that the draft Charter fails to fully safeguard the BBC’s independence, both in terms of funding and governance, and that it seeks to reinforce the Government’s determination to see regulation of BBC content and services in relation to its impact on competition. Overall, we think that the draft Charter does not secure sufficient guarantees about the BBC’s future, foreshadowing a potential threat to the BBC’s status as a universal public service broadcaster able to provide a range of popular and diverse content free at the point of use.

First, we are disappointed to see that the Secretary of State seeks to retain a significant role in the appointment of the extremely powerful Chair of the new board (as well as the four members representing the Nations). We were hoping that the government would seriously consider the proposals that were produced for us by the former Commissioner for Public Appointments, Sir David Normington, setting out a series of tests to ensure a genuinely independent board. Sir David has criticized the shortcomings of the existing public appointments process and we believe it remains vital that the new Chair is selected purely on merit, and not as a result of personal or political connections with the government of the day.

A political appointee could not only influence the editorial and operational leadership of the BBC but also undermine confidence in the selection of the other five non-executive members on the board, as the Chair also heads up the Nomination Committee that draws up the shortlist for these appointments.

Second, we are concerned that the Charter and Agreement disproportionately require the BBC to be mindful of its impact on the wider media market. Scheduling, for example, will now need to take into consideration ‘any potential adverse impact on fair and effective competition’ (p. 39 of the Agreement), something that was totally absent from the previous Agreement. Additionally, ‘distinctiveness’ is to be firmly embedded into the overall remit of the BBC given that Ofcom is now required to monitor the BBC’s obligation ‘to secure the provision of more distinctive output and services’ (p. 49 of the Agreement).

This could easily prevent the BBC from running popular programmes in peak-time or from developing new online services that its competitors would frown upon. In particular, we believe that the board’s autonomy in managing the strategic direction of the BBC will be limited by the draft Charter’s requirement that Ofcom has the final say in any disagreement between the board and the regulator. ‘Where it appears to the Board that there is a conflict between their obligations under this Charter, the Framework Agreement and the Operating Framework with any request or decision made by Ofcom, the Board must comply with the request or direction made by Ofcom’ (p. 13 Charter).

Issues of significant concern to us that featured in the white paper have been incorporated into the draft Charter. For example, the BBC’s need to pursue technological innovation in the public interest has been downgraded from a core public purpose to a ‘general duty’ while the new Charter firmly endorses the BBC’s right to provide a subscription service allowing the Corporation to ‘develop, test and pilot such a service, with the approval of the appropriate Minister’ (p. 29 of the Agreement).

There are also some significant omissions. There is nothing that will prevent future funding arrangements from being carried out behind closed doors, and no detail concerning how to realize diversity as a public purpose: there is no requirement on the BBC to change its employment practices, or to allocate more money to, for example, BAME programming.

In conclusion, we are not quite as optimistic as the director general in relation to the draft Charter. There is little here to prevent the government from influencing the composition of the new unitary board or from once again using licence fee revenue to pursue its own political projects (as it did when forcing the BBC to pay for free TV licences for the over-75s as part of its welfare reforms). Instead, the BBC is to be handed an eleven-year extension with limited prospects for growth, and a requirement that it must not negatively impact the wider media market. Taken together the proposed Charter and Agreement comes across not as a vote of confidence but a ‘holding position’.

 

IBC2016: Lord Puttnam says management needs to get creative

The major inhibitor to growth in business in the UK is management, according DTi research, and is a particular barrier to growing creative businesses, according to Lord Puttnam’s Creative Keynote during IBC2016. Although Britain is “great at creating start ups”, it is also great at selling them. “We do not build global businesses.” He blames this partly on the lack of support from banks, but also on the lack of expectations and training.

This will partly be addressed by the new Executive MBA for the Creative Industries – a two-year, part-time MBA starting in October at Ashridge Business School. It will be “very case study driven, very experiential”, said Helen Gammons, financial director of Rotolight, who is on the advisory board. It will include residential elements and travel (to New York or LA), and there will be 24 or 25 students in the first intake.

The MBA will address the “very rapid changes taking place” in the industry, he said, such as in intellectual copyright. Puttnam did a course in copyright law. “I learned the language of law, and the discipline,” and being able to talk to lawyers “saved a huge amount of time over my career.”

However, the most important aspect, he suggested, is how to manage creatives. “It is a very particular management skill. It is probably more complex in the creative industry than anywhere else.”

Source: TVBEurope

 

David Puttnam to Head All Star Jury at 10th APSA Awards

The U.K.’s Lord David Puttnam will head the jury at the 10th edition of the Asia Pacific Screen Awards.

For the anniversary, other members of the jury are all former jury heads and include Busan festival chairman Kim Dong-ho, Hong Kong producer Nansun Shi, Australian producer Jan Chapman and Indian director Shyam Benegal.

The announcement was made Friday in Seoul, by the Lord Mayor of Brisbane, Councilor Graham Quirk.

The jury decides the winners of the APSA feature narrative achievements: best feature film, achievement in directing, and cinematography, best screenplay, best performance by an actor and actress, and the prestigious APSA presented in partnership with UNESCO for excellence in cultural expression through film. The awards ceremony will be held on Thursday Nov. 24, 2016 in Brisbane, Australia.

“In this milestone tenth year, it is fitting to assemble this ‘Jury of Juries’ of five former APSA International Jury Presidents. They have all played an important role in the development and evolution of APSA, and we are honored to see them return,” he said.

“The Asia Pacific Screen Awards is an extraordinary initiative,” said Puttnam in a prepared statement. “As world events continue to challenge our search for greater understanding and tolerance, it remains important that our filmmakers reflect their experiences, share their lives and stories, and promote understanding through their craft. In bringing these films together, the Asia Pacific Screen Awards provides a profound reminder of what unites us all.”

Source: Variety 

Written by Patrick Frater