Month: February 2019

On Wednesday, the House of Lords debated ongoing discussions between the British government and the EU with regards to the Brexit Withdrawal Agreement. During the debate, Lord Puttnam made an intervention on the fragile relationship between Britain and the Republic of Ireland, and the prospect of future trade deals with the United States: 

"My Lords, like the noble Lord, Lord Cope of Berkeley, this is the very first time I have inflicted my views on your Lordships’ House on what is without doubt the gravest matter I have faced in the 20 years I have been here and probably in my lifetime. I have a number of reasons for not having previously spoken on the subject. In the first place, I was not sure there was much I could offer that was new and illuminating. Secondly, I continued to hope that the Government, and indeed the leadership of my own party, would do a better job of steering clear of the self-destructive path that both, in their different ways, seem to be taking.

I have always shared the common view that Britain was a pragmatic, sensible country with an instinctive aversion to extremism, be it of the right or the left. It is now clear that I was wrong on just about all counts. This has led me to conclude that I do in fact have one or two fresh observations to offer. For once, time allows me to put those thoughts into context. On this occasion, context is particularly important.

Like one or two other Members of your Lordships’ House I am a mongrel. My mother’s family were immigrants from Russia and my father’s family were French—albeit they arrived as invaders on these shores 953 years ago. Our family home is in west Cork in the Republic of Ireland, where, for 30 years, I have enjoyed watching the relationship between my country of birth and my country of adoption grow ever closer. Sadly it is now clear that relationship is dangerously deteriorating.

For the past 50 years I have also run my own business, working in and indeed with the United States, during which I have made literally hundreds of trade deals. ​Most recently I spent four years as the UK’s trade and cultural envoy in south-east Asia, all of which allows me the conceit of believing that I know a fair bit more about the effects of Brexit on Ireland and the business of negotiating, most especially in the United States, than the current Minister for International Trade, Dr Liam Fox. From time to time I hear him and others speaking rather airily of a special relationship—that post Brexit we will be free to make the mother of all trade deals with the US. This belief is either a cruel fantasy or a deliberate falsification of what the best of his department know to be the truth.

“The chief business of the American people is business”.

That is not just a speech line dreamed up in 1925 by Calvin Coolidge; there is also a deep truth attached to it. No matter how close you may personally feel to an American business counterpart, when you sit across the negotiating table, all notions of a special relationship go out of the window and new rules apply. My friend the noble Lord, Lord Saatchi, knows well of what I speak.

The first of those rules is that only a fool allows the other side to know where their red lines are drawn. The art of the deal is discerning where the other side’s red lines are in order to begin to assemble your own. Having done so, the second rule is keeping them to yourself. We somehow managed to break both rules within months of the referendum. We have been trying to haul ourselves back from that absurd position ever since. I used to believe—no, I used to assume—that we had some of the finest minds in the world working in our Foreign Office, a number of whom have presumably been seconded to the task of attempting to fulfil our new trade fantasies.

As he takes note, I would like to throw a few questions at the Minister. I ask him to respect the House by offering a thoughtful response to them. As Dr Fox dreams of improving on the EU’s trade arrangements with the US, is he aware that around 40 million Americans claim Irish roots and in most cases actually describe themselves as Irish-Americans? That is 12.9% of the total population and close to 20% of the voters in the crucial north-western swing states of Pennsylvania, Vermont, New Hampshire, Maine, Massachusetts and Connecticut. Is he also aware that no fewer than 63 US Congressmen and Congresswomen are members of the Friends of Ireland caucus, most of whom have direct Irish heritage? Did he know that US Senators Cantwell, Casey, Cassidy, Collins, Cruz, Durbin, Enzi, Kaine, Kennedy, Leahy, McConnell, Murkowski, Murphy, Murray, Sullivan and Toomey all have direct Irish heritage—that is, nine Republicans and seven Democrats? I will leave it to Dr Fox and those who advise him to work out the electoral consequences of a situation in which this country was rightly held responsible for severe disruption and maybe even disaster to the Irish economy on both sides of the border.

With the 2020 US elections just 20 months away, how would the Minister fancy the chances of a Senator or a Member of the House of Representatives who was felt to have in any way supported Britain in heaping misery on the Irish economy? As he prepares his response, I am sure that he feels that he can safely take refuge in an assurance that the Government have ​no intention of damaging the Republic of Ireland or its economy. But does he seriously believe that right now that perception holds good in Dublin, in Brussels or, crucially, in Washington?

I can confidently make him one promise. Should we crash out or endanger the Good Friday agreement, either accidently or through sheer ineptitude, then all the blame will lie with us. We will not be forgiven—not in Ireland, not in Europe and, politically at least, not in the United States. There will be no point in sending Boris Johnson off to attend a St Patrick’s Day parade wearing a green leprechaun hat, because Dr Fox is likely to find what he believed to be a friendly Congressional door slammed firmly in his face.

That is the purely political reality. But on any number of other fronts we are already discovering powerful lobbies in the US seeking preferential treatment in areas such as food safety standards, demands that are totally incompatible with our own established norms. Is Dr Fox, a medical doctor, going to suggest for one moment that we downgrade our own health and safety standards to close a trade deal? It is unthinkable.

Our Minister for International Trade has developed a habit of trying to retrofit his ideological preferences to imaginary world scenarios. However, despite small successes with Switzerland and Singapore, real life will surely close in, and he will be found to be what the Americans refer to as a blowhard.

John Harris, the Guardian columnist, wrote yesterday of his recent encounters with real life on both sides of the Irish border:

“Just about everyone I met knew perfectly well that Theresa May’s travails over the so-called backstop are the product of politicians and voters elsewhere forgetting about the island of Ireland, only to be reminded that for the people who live there, Brexit represents a profound set of dangers. No one was that surprised about this amnesia, but many were very angry about it”.

I am one of them. I am very angry. I am angry because most of the public discourse regarding the backstop, particularly from the ERG, has revealed a staggering level of either pig ignorance or malicious disregard, and I am not quite sure which is worse. As Harris wrote, Brexit is a,

“Pandora’s box, brimming with unforeseen consequences”.

Ever the optimist, my final question to the Minister is this. What specific plans do his Government have for healing the wound we have managed to inflict on our closest geographical and cultural neighbour, once all this present madness is behind us? It would be very wrong for him to either ignore this point or resort to any form of bland assurance, because, either knowingly or unthinkingly, enormous damage has already been done, and we will have to work very hard and with great imagination to recover the relationship that was so brilliantly forged by Her Majesty the Queen less than eight years ago, in May 2011. But even then, we will still be left with the question that many of us are forced to ask: was all this pain necessary? Was it really worth it? I profoundly believe it to be in the national interest to support the Motion of my noble friend." 

Source: Hansard

 

Source: UCC News

UCC's Puttnam Scholars (l-r): Ben Whyte O’Callaghan, Andy Killian, Oisín O’Driscoll, Liam Fleming, Lucy Creedon and Elinor Dolliver. Photo: Dan O'Connell.

University College Cork has announced the six recipients of the prestigious Puttnam Scholarship, which kicked off with a digital seminar with Lord David Puttnam. 

The scholars Lucy Creedon, Elinor Dolliver, Liam Fleming, Andy Killian, Ben Whyte O’Callaghan and Oisín O’Driscoll, come from a wide range of academic backgrounds, from Civil Engineering and History of Art to English and Digital Humanities, and all hope to pursue careers in Ireland’s vibrant creative industries. 

The Puttnam Scholars will work together to make a short film, which will be shot and edited in the summer of 2019, and screened in November as part of a presentation to Lord Puttnam and invited guests. Each of the students also received a bursary of €1500. 

The Puttnam Scholarship programme offers UCC students from any discipline the opportunity to work with and learn from Lord David Puttnam, Oscar-winning producer of films including Chariots of Fire, The Mission, The Killing Fields, and Midnight Express.

Lord Puttnam is a former Digital Champion appointed by the Irish Government and a leading figure in the development of the creative industries. As part of the programme, the Scholars will receive video conference mentoring and coaching sessions with Lord Puttnam. This scholarship programme offers a unique mentoring opportunity for students and represents a new model of industry mentorship.

“This is a career-changing opportunity for the successful recipients of this new scholarship. Lord Puttnam has vast knowledge of every aspect of film production; he is also at the forefront of policymaking and positioned at the most pioneering end of the creative industries," said Dr Ciara Chambers, Head of Film and Screen Media, UCC.

"Through access to his expertise, a whole new world is opened up to these students. The diversity of backgrounds represented by the scholars adds to the creative mix of the group, and I’m very excited to see their first production when they turn their hands to filmmaking over the summer."

UCC President Professor Patrick O’Shea commented on the Scholarship programme: “At UCC we recognise the need to embed creative entrepreneurship into our teaching and learning programmes across all disciplines. We are hugely privileged that Lord David Puttnam has offered to create and support these unique new scholarships – the Puttnam Scholarship Programme.”

The scholars

Elinor DolliverEli Dolliver is a final year BA Film and Screen Media student, who is passionate about film, from independent art house cinema and hard-hitting documentaries to sci-fi, and horror movies. 

"My studies in Shakespearean, Victorian, and Anglo-Saxon literature all inform my filmmaking and storytelling practice," said Eli Dolliver, a final year BA student studying Film and Screen Media and English. 

 

Lucy CreedonLucy Creedon is a final year BA (English and History of Art) student. Inspired by the film modules she selected as part of her English major and the camera she was given last Christmas, she has a keen interest in creative writing and is “extremely excited to be involved in the Puttnam Scholarship”.

 

 

Andy KillianAndy Killian is a final year Civil Engineering student at UCC and something of a Renaissance man. Self-taught in guitar, bass guitar and synth, he is classically trained in piano and has been composing music since he was 13. He plays drums in the band Pretty Happy and guitar in the band Selkies. He has self-produced an EP and an album under his own name and won the UCC singer-songwriter competition as Glassy Overture in 2018.

“After graduating from my Bachelor’s degree in Civil Engineering, I plan to do a Masters in either film scoring or music production, to turn my passion into a career in the Creative Industries."

 

Liam FlemingLiam Fleming is a final year student in UCC’s pioneering BA in Digital Humanities and Information Technology. He recently returned from his third year abroad in Nanyang Technological University, Singapore, where he studied interactive media modules including game design and immersive sound, while also dabbling in animation and filmmaking.

"I ended up studying digital humanities and IT in UCC so that I could nurture these two neglected passions of mine – creativity and technology – which I have come to discover are deeply intertwined with one another." 

 

Ben Whyte O’CallaghanBen Whyte O’Callaghan is a final year BA Film and Screen Media student from Blackrock, Cork. He comes from a sporting family, but his true passion is storytelling. He was introduced to the world of film through classic westerns, by his grandfather.

“My main interest is in screenwriting, and I hope to continue developing this skill within the industry in the future.” 

 

Oisin O'DriscollOisín O’Driscoll is a recent graduate of the BA Film and Screen Media in UCC. He is from Fermoy, County Cork and comes from a family of designers and musicians.

“My films to date have focused on alienation, individual social standing in modern Ireland and gender issues. I’m delighted to have gained the opportunity to further my passion for film and ultimately help me reach my screenwriting goals through the Puttnam Scholarship.” 

Lord Puttnam giving a talk at event in Bath Spa University

Source: Pinewood Group

Bath Spa University and Lord Puttnam’s company, Atticus Education, are set to host an innovative series of seminars, with the support of Pinewood Studios. The initiative will see Lord Puttnam, the Oscar-winning British film producer and educationalist and chair of Atticus, deliver six seminars to Bath Spa Undergraduate and Postgraduate students. 

The series starts on 19 February with a lecture on ‘Let’s Talk About Creativity’, and will be broadcast via a live, interactive format from the Atticus studio in Ireland, using Cisco video-conferencing technology.

Throughout the lectures, Lord Puttnam – whose films include Chariots of Fire, The Mission, the Killing Fields and Local Hero- will draw up his own distinguished career as a film producer to discuss the varied aspects of the creative process. The series will culminate with an in-person lecture on 18 June at the University on the subject of ‘An Ever Changing Marketplace’.

Lord Puttnam believes that harnessing young people’s creativity and ambition is key to a more secure, sustainable and imaginative future for all of us. He said: “Thanks to the generosity of Pinewood Studios, I’m delighted to be working with a group of gifted students at Bath Spa University. It’s important that as large as possible a cohort of students gain an understanding of the growth potential of the creative industries, and benefit from practical work experience. The association of Atticus, Pinewood Studios and Bath Spa is designed to make a meaningful difference to these students at an important stage in their careers.”

Andrew Smith, Corporate Affairs Director at Pinewood Studios Group said: “We are delighted to be working with Lord Puttnam and the University to support the next generation of filmmakers. This partnership is an important way to open up access to the industry and help forge connections with up and coming talent.”

Dr Susan McMillan, Head of the School of Creative Industries at Bath Spa University, said: "The main aim of the School of Creative Industries is to develop the next generation of talent in collaboration with industry. Our partnership with Pinewood Studios and with Lord Puttnam connects our film and media students directly with the UK’s top movie studio. The series of lectures provided by Lord Puttnam also means students get the opportunity to learn from an Oscar winning producer, who knows the film business inside out.

 "Our creative students will benefit from Pinewood’s generous support and from Lord Puttnam's thought-provoking lectures. It is a great honour for Bath Spa University to be working with such prestigious partners."

Students who graduated from Bath Spa University and attended previous lectures by Lord Puttnam have gone on to secure positions within production companies working on titles such as ‘The Only Way is Essex’ and ‘Geordie Shore’, in addition to roles at Drummer TV based in Bristol who make children’s documentaries.