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Heavyweight TV and film figures back Remain vote

Heavyweight figures in the TV and film business, including Lord Puttnam and Working Title boss Tim Bevan, have come together to support Britain remaining in the European Union.

Some 23 major producers have co-signed a letter, arguing that remaining in the EU was the “right thing to do for our industry”.

Top of the Lake producer Iain Canning, James Bond producer Barbara Broccoli, Big Talk’s Nira Park, Slumdog Millionaire producer Christian Colson and Debra Hayward and Alison Owen, who recently set up TV indie Monumental Pictures, have all signed the letter.

They highlighted that the EU’s MEDIA and Creative Europe Programme had delivered £100m to UK producers in the past 10 years, which has helped support thousands of creative and technical jobs nationwide.

They noted that one benefit of being a member of the EU was that producers were not subject to quotas or taxes and that equipment travels “carnet free”.

“Being in the EU means that our feature films, our television programmes and our games can travel far more easily across borders because they are not subject to quotas or taxes of any kind in Europe,” they added.

“This significantly increases the earnings of UK audiovisual companies helping them to grow their businesses and to employ far more people on film and TV sets, in special effects houses, in games development, in cinemas and right across all of our industries.”

They concluded that both Conservative and Labour governments over the past 20 years had helped build the TV and film industry into a “global powerhouse” and a vote to remain would allow this to continue.

The group is the latest to come out in favour of a remain vote following similar remarks from Pact, Animation UK and UK production group Argonon.

Source: Broadcast

 

ITV should make more current affairs content

Broadcaster should air more current affairs in return for keeping EPG position and retransmission fees from Sky, says peer

ITV should be required to make more current affairs programming in return for increased support from regulators, according to an influential inquiry into the future of broadcasting in the UK.

The inquiry, led by film-maker and Labour peer Lord Puttnam, said there was an opportunity to strengthen the broadcaster’s public service role and “recapture the scale and ambition of the best of ITV’s historic reputation for flagship current affairs programming”.

The suggested increases in the minimum requirements for current affairs programming are modest, moving from 15 minutes to 30 minutes a week of regional programming and the equivalent of 90 minutes a week on ITV’s national network. ITV’s licence currently requires 43 hours of current affairs programming a year on the national network and in 2015 it broadcast 63 hours. However, 90 minutes a week would be equivalent to 78 hours, the level required roughly a decade ago. 

ITV’s Peston looks to lay a glove on Marr in first rounds of Sunday politics bout

In return ITV would get additional support including continued protection for its prominent place on the electronic programme guide and on future online services. The inquiry also recommends that, along with other public service broadcasters, ITV should be paid by platforms such as Sky which currently host its channels for free. 

As well as increasing minimum requirements for non-news current affairs, the inquiry is calling for regulator Ofcom to embark on a review of ITV’s role in the UK’s broadcasting ecology and create an “imaginative proposal” for strengthening its contribution to democratic accountability.

Puttnam said: “There is a great opportunity here to reinvent current affairs television content for the 21st century, while building on the very best of ITV’s traditions. This would have the additional benefit of raising the game of other broadcasters, not least the BBC, by restoring the competition for quality that was a hallmark of the public service television world in the recent past.”

When ITV was established it had far more stringent public service commitments, but these have been steadily reduced as bosses argued they were hindering its commercial performance. 

In 2013 Ofcom allowed ITV to reduce its weekday regional news bulletins from 30 minutes to 20 minutes but increased the number of regions targeted to 14 from eight. The regulator said audiences would benefit from more targeted programming. ITV currently runs 20 minutes of purely regional news as part of 30 minute programmes in all regions except London and Granada, where purely regional news makes up the full 30 minutes. 

In 2015 ITV recorded an 18% rise in pre-tax profits to £843m, on revenues that grew 15% to £2.97bn. It has in recent years shifted increasingly into production through its ITV Studios arm, buying up companies such as The Voice creator Talpa Media.

Though ITV has been criticised for reducing current affairs output over previous decades, it recently launched Peston on Sunday, a weekly politics show fronted by former BBC business editor Robert Peston, one of a number of high profile hires.

An ITV spokesperson said: “ITV is proud to be a public service broadcaster with a strong commitment to very significant investment in original UK content, including international, national and regional news and current affairs.

“We welcome the inquiry’s recommendation that ITV, and other PSBs, should receive a range of regulatory support, including continued EPG prominence and the payment of retransmission fees. We look forward to reading the full report when it is published later this month.”

An spokesperson for Ofcom said: “Ofcom welcomes discussion about the future of public service broadcasting, to ensure it continues to meet audience expectations and needs. We will review Lord Puttnam’s report when published.”

The full findings of the Puttnam inquiry, which are expected to focus on the future of the BBC and Channel 4, will be published on 29 June.

Source: The Guardian

What has the EU ever done for my … TV viewing?

Television in Britain has come a long way since the days of the “Europudding” – costly 1980s drama flops involving several European countries that no one wanted to watch.

International co-productions of high-quality TV dramas are now commonplace and made with a global audience in mind. UK programme-makers increasingly turn to partners in the US, Australia and New Zealand, and Europe also plays its part.

A big exporter of television around the world, UK sales of shows and formats to Europe are worth about £380m a year.

How a vote to leave the EU would affect this is at the forefront of the sector’s concerns, both in terms of sales of UK content abroad and international co-productions being made in the UK. 

A media industry survey by Broadcast and Screen International’s owner, MBI, last month said 67% of respondents thought Brexit would have a negative impact. MBI’s chief executive, Conor Dignam, said: “High-end drama tends to bring together a number of funders from international markets. Would that stop if we were not part of the European Union? Probably not. Would it make it more difficult? Potentially.”

Producers say homegrown expertise and tax relief draw programme-makers to the UK, not the EU.

The EU’s media programme, part of its Creative Europe scheme, has a more direct impact and invested €100m (£78m) into the UK’s audiovisual sector between 2007 and 2013. It provided funding for shows including BBC1’s Daphne du Maurier adaptation Jamaica Inn, the detective drama Hinterland, which aired on the BBC and the Welsh language channel S4C, and Sky Atlantic’s John Hurt thriller The Last Panthers.

The media programme also part-funded children’s series such as Shaun the Sheep and Julia Donaldson’s Room on the Broom, and films including Todd Haynes’ Carol, Mike Leigh’s Mr Turner, and the acclaimed Amy Winehouse documentary Amy.

The Chariots of Fire producer and former Channel 4 deputy chairman David Puttnam has warned that film, TV and creative industries would be “massively impoverished” by life outside of the EU.

Last year’s time travelling sci-fi drama The Refugees was the first co-production with a European partner – Atresmedia in Spain – for the BBC’s commercial arm, BBC Worldwide.

The EU has also made significant interventions in the UK market in terms of regulation of film and sports rights, and issues such as access to on-demand services abroad.

Source: The Guardian 

Written by John Plunkett 

Bringing digital skills to the young, the old and the marginalised

From young coders to former prisoners, Ashoka Ireland’s Fiona Koch highlights three social organisations that are empowering millions through technology.

Niamh Scanlon and David Puttnam may be separated by over 60 years in age, but they share an important mission. Both advocate for the benefits of digital technologies in improving society, helping disconnected or underrepresented groups of people to gain better access to technology.

Scanlon, 13, was named EU Digital Girl of the Year in 2015, while Puttnam, who turned 75 this February, has served as Ireland’s Digital Champion since 2012, and both play key roles in promoting the use of technology as a means for self-empowerment.

“Reaching out to the elderly, the disconnected among them, is a big part of the job,” Puttnam said of his work as he addressed the Silicon Republic Digital Ireland Forum in 2014. This was never more evident than on a sunny day this May, when he attended a computer skills workshop in the headquarters of Third Age, a national voluntary organisation seeking to elevate the value of elderly retirees in their communities, while filming an episode for his RTÉ documentary series on digital trends in Ireland.

Founder Mary Nally, introduced computer literacy classes to Third Age over 15 years ago, in order to transform the lives of the isolated elderly living in her rural hometown of Summerhill, Co. Meath. Now in her sixties herself, Nally wanted to share the feeling of empowerment that she gained when she learned how to use a computer and access the internet.

“Everything is digitalised today – from banking to shopping and more. Why should [the elderly] be left behind? At Third Age, we want to take the fear out of computing,” she explained during Puttnam’s visit.

“I know some older people have embraced technology, and others are afraid. I want to encourage everyone to say, ‘Maybe I will.’”

Joining Puttnam for the workshop was the well-known Irish Gaelic games commentator Mícheál Ó Muircheartaigh, who extolled the virtues of Skype for allowing him to “put the kettle on and share a cup of tea” via video call with his four children living abroad.

Puttnam, who is a passionate champion of digital technologies in education, explained how video-conferencing technology has enabled him to teach film students in six universities around the world from the comfort of his garage, calling it “a rejuvenating experience.”

Puttnam was keen to emphasise the importance of promoting digital skills in all ages. At 75, he says, “I’m working as hard as I’ve ever worked in my life, and if all goes well, I’ll have another ten years to look forward to. For young people growing up today, they could be working until they are 100! We are living in a world where change is a constant.”

Source: Silicon Republic

Written by: Fiona Koch

REVIEW: Puttnam plays Puttnam at the Apex

David Puttnam, holder of 10 Oscars and 25 BAFTAS, hasn’t made a film since 1998, but remains a masterful presence over the genre, especially when it comes to music, as he demonstrated last night to a rapt audience at The Apex.

And he’s also a supreme talent-spotter, as his many successful celluloid collaborations – see above – over the years have proved. So it is perhaps a tad ironic or, to quote the great man: ‘wonderful’ that he found some right under his nose in the lithe form of his son Sacha, a lyrical pianist and himself a music arranger.

They began to work together  on stage only recently after a family friend remarked: “Hey, David, you shot and he scores!”

That was one of the many gentle and modest anecdotes Lord Puttnam told before introducing his son to play pieces from his films using his own arrangements, but capturing the majesty of them as stills were projected onto the back of the stage. He was ably supported by violinist Rosemary Hinton.

The unique concept all made for an enthralling and enchanting evening with a good measure of intimacy and openness, which clearly entranced the audience from the opening of Love Theme from Midnight Express and the closing Killing Fields theme, written by Mike Oldfield, a score Puttnam reckons the composer of Tubular Bells did not get enough credit for.

In between we were swept along by the usual favourites, from Chariots of Fire and Local Hero, along with surprises like Nessum Dorma, which is in Killing Fields and, according to Puttnam led to the formation of the Three Tenors.

It was links and stories like that which held the evening together and left the audience with a useful repertoire of movie trivia.

So if someone this weekend asks you questions like this: Who got rid of the rats on the set of The Mission, and why couldn’t he get rid of the mosquitoes? Or: Which film re-united Jack Wild and Mark Lester from Oliver! Or: Why is the Chariots of Fire theme by Vangelis only played at the opening and closing credits and not in the film itself? Or: What’s the most popular tune used in wedding videos? You can be sure that person was at The Apex on Tuesday night.

Written by Paul Richardson 
Source: Bury Free Press

Brexit would be a disaster for Ireland and UK

A vote to leave the European Union would hurt this country every bit as much as the UK, writes David Puttnam

 

A month ahead of the referendum in the United Kingdom on its membership of the European Union, and writing as someone who is able to effortlessly regard each of these neighbouring islands as home, I find myself increasingly concerned about the possible outcome from the perspective of both British and Irish citizens.

Despite being a member of the House of Lords, on this occasion I'll be able to vote and I will be firmly ticking the 'Remain' box on June 23. The choice is an easy one for me. 

It's informed both by my daily experience of life and a sincere belief that the colossal decision facing us is, in terms of its political, economic and social ramifications, the most important to be made in a generation. 

While I don't for one moment take for granted the voices and opinions of multiple business leaders and those many others who have voiced their opposition to 'Brexit', I tend to view the referendum from the perspective of the world I know best: that's to say its likely effect on jobs in the film, TV and other creative industries.

I know enough to be thoroughly convinced that life outside the EU would massively impoverish the United Kingdom, both culturally and financially. 

I think, at the very minimum, 'Brexit' raises a number of questions to which I've yet to hear any remotely satisfactory answers. 

For example, as someone who's passionate about education, I wonder if British universities would lose out on the vital research funding that's provided by EU programmes, such as Horizon 2020?

Equally, as someone who lives in both Cork and London, I've come to recognise that the destiny of our two islands is uniquely intertwined, and though borne from a complex and difficult history, the relationship is thriving as never before. We even joined the EU on the same day! Sadly, the uncertainty which a 'Brexit' result would inevitably deliver raises serious questions about the future stability of this relationship; and that holds true in a number of spheres. 

The most immediate concerns arise as a result of the shared border, across which any amount of business is now conducted efficiently and with increasing ease. 

Indeed the peace process itself, along with many of its resulting benefits, have been supported by the EU to the tune of €1.5 bn. 

The fourth 'peace programme' is due to run until 2020. Who's to tell if this will be in jeopardy? 

There are other incredibly serious issues regarding the movement of people which would need to be addressed. 

How, for example, would the 'Common Travel Area' be affected, even temporarily? What would be the impact on the eligibility of Irish and British citizens to live, work and study on either island? 

The EU has announced it's abolishing roaming charges across Europe from June 2017. Would an EU exit mean that these charges could still apply on this island, and beyond, and for all travellers to the UK?

Dozens and dozens of questions such as these, small and large, would have to be addressed and resolved.

Business leaders in Ireland, North and South, have identified other troubling concerns, such as the effects on currency exchange, energy costs and tourism. 

As Ireland's Digital Champion, I've witnessed at first-hand the importance of the Digital Single Market and the significant opportunities it brings in helping people and communities, in both islands, to develop the skills and competences which are increasingly essential to any hope of a successful 21st century future. 

I know that Irish people across the board are very supportive of Ireland's membership of the EU. An opinion poll carried out by Red C for European Movement Ireland in 2015 showed that 84pc of those living in Ireland believe that membership of the EU has benefited the country. Spending a portion of every week in both places, I can attest to the fact that what's good for Ireland is also good for Britain. 

The clearest evidence of the close historical ties between our two islands is that some half a million Irish-born people now living in Britain have the right to vote in next month's referendum. 

I hope that they will thoughtfully use this opportunity, and the significant responsibility that comes with it. 

A group made up of people from a variety of backgrounds has formed 'Irish4Europe' and is working hard to ensure that the Irish in Britain are aware of their right to vote, and urging them to do so. 

For my part, as well as voting 'Remain' next month, I'm taking part in the European Movement Ireland's #PhoneAFriend campaign. 

I feel compelled, in what I regard as the interests of sanity, to urge all of the young and not so young Irish in Britain to please register to vote by the June 7 deadline.

As someone who is now happily tucked into in my 'Third Age' I feel an enormous responsibility to future generations. In casting my vote next month, I'm particularly mindful of the legacy we'll be leaving behind for them. 

I include in this the enormous multi-faceted challenges facing our planet as a whole, not least climate change; a growing humanitarian refugee crisis; and the fragility inherent in the co-existing issues of an aging population and youth unemployment. 

As I'm sure is by now clear, I'm personally convinced that this is not the time for the United Kingdom to make a once-in-a-generation decision to cut itself off from the rest of our continent. 

I believe it's incumbent upon all of us who care about the continuing peace and prosperity of our communities to offer leadership and genuine innovation in drawing our countries closer together, rather than attempting to push them apart. 

For all of these reasons and more, I urge – in fact I beg – everyone who can, to register to vote, and exercise their democratic duty with the very greatest care and consideration on June 23. 

Written by David Puttnam

Source: Sunday Independent 

Famous film director David Puttnam and son Sacha to perform ‘multi-media live music event’ at Bury Festival

Puttnam Plays Puttnam, which comes to the venue on Tuesday May 24, is a ‘multi-media live music event’ featuring ‘classical arrangements of music from films including Chariots of Fire, The Mission, Midnight Express and The Killing Fields.

Suffolk-born violinist Rosemary Hinton, who recently graduated from the Royal Academy of Music, will be joining David (presenter) and Sacha (piano). 

Tickets; £20 for adults and £5 for under-25s are available from www.theapex.co.uk 

A discount for Festival Friends is also available. 

Starts 7.30pm.

Source: Ely Standard 

Puttnam Plays Puttnam in Southampton

WITH ten Oscars, 25 BAFTAs, the prestigious Palme d’Or at Cannes, a CBE, a knighthood, and countless honorary degrees and awards, Lord David Puttnam is one of the most successful and inspirational film-producers of our time.

His remarkable legacy of films includes The Mission,The Killing Fields, Local Hero, Chariots of Fire, Midnight Express, Bugsy Malone and Memphis Belle.

You can hear the music from his films at the Turner Sims on Sunday with the Puttnam Plays Puttnam teatime special at 3pm.

Emotive music by composers as diverse as Vangelis, Ennio Morricone, Mark Knopfler, Giorgio Moroder, Howard Blake, Puccini and Fauré is performed by his son, Sacha Puttnam to a beautiful collage of movie stills, and presented by their producer David Puttnam along with his insights into the relationship of film and music drawn from his more than 40 years making movies.

Tickets, available now from 023 8059 5151 or turnersims.co.uk, include a complimentary cup of tea and slice of cake.

Source: Hampshire Chronicle 

Cameron and Osborne praised for stance against 'assault on BBC'

Labour peer David Puttnam says there had been an attempt to impose ‘ideological agenda’, and credits PM and chancellor for their response

Labour peer David Puttnam has praised the prime minister and chancellor for “seeing off an ideological agenda” regarding the BBC in this month’s white paper.

In what will widely be interpreted as a criticism of culture secretary John Whittingdale, Puttnam told the Media Show on Radio 4 that there had been an attempt to impose an ideological agenda on the corporation.

“I think there was an attempt to run an ideological agenda that, I think, has failed,” he said. “I put that absolutely to the credit of the chancellor and prime minister. I think the prime minister and chancellor saw off an ideological agenda.”

There was a degree of relief for the BBC and its supporters earlier this month when a number of measures floated before the white paper’s publication, such as restrictions on scheduling and top-slicing of the licence fee, did not appear in the final document. 

However, Puttnam said parliament would “severely” oppose plans for the government to appoint four directors on a new BBC board, in addition to the chair and deputy chair.

“I think the idea of four of the board being appointed by the government is a dreadful idea,” said Puttnam, who is charing an inquiry into public service broadcasting. “I just think it makes no sense.

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“I’m not just saying this as a Labour peer: don’t forget my party could just as easily be in power and I would be saying exactly the same thing.

“If it did happen it would unquestionably have a chilling affect on broadcasting … The public quite legitimately are quite suspicious of the way board appointments occur.

“It would be very, very severely challenged in parliament. This is not going to go away, this is not going to be brushed under the carpet.

“I think it will end up being major, major issue in parliament, and I know for a fact there are many many Conservatives, people who I like a lot, who will oppose this bitterly.”

He added that if the government exerted too much control over who ran the BBC, the corporation could end up like Italian state-owned broadcaster RAI, where the organisation’s leadership is replaced with each change in government.

“If we even begin to countenance that kind of interference,” he said, “it’s game over.”

Source: The Guardian 

Written by Jasper Jackson